Thor: The Dark World

When Thor came out in 2011, my interest in seeing it was only slightly more than my interest in seeing a torture horror movie, which is to say practically non-existent. However, I had heard some good things about it and when it hit Redbox, I plunked down a dollar to rent it. After watching it, I immediately felt stupid for having not seen it in the theater. A wonderful mix of superhero goofiness and Shakespearean intrigue, Thor worked far better than I expected. So naturally I determined early on not to let it's sequel get away from me.

While most sequels fail to live up to their predecessors, Thor: The Dark World comes from the rare breed of sequel that is actually better than it's first entry. This is especially surprising when you consider that, outside of The Avengers 2, known of the Phase One directors are coming back to direct Phase Two movies. What this means for the second entry in the Thor series is that Kenneth Branagh isn't guiding this one. That actually translates to less Palace Intrigue and more Big Fights, but surprisingly, this doesn't work against the movie like it should.

The film opens, as it's predecessor did, with the Asgardians defeating a powerful enemy, this time the Dark Elves, led by Malaketh. Doctor Who fans will take glee in seeing Ninth Doctor Christopher Eccleston as Malaketh, who aspires to send the Nine Realms back into darkness using a weapon called the Aether. Malaketh escapes from Odin's father and the Aether is hidden from him by the Asgardians. Eventually, the Aether is found by Jane Foster (Natalie Portman) and Malaketh and his minions rise up to reclaim it and finish the job of sending the Nine Realms back into darkness. Naturally, it is up to Thor (Chris Hemsworth) to put an end to all of this.

I realized as I wrote the above summary that some of this sounds an awful lot like Lord of the Rings and maybe it does. Despite that, it's not something you think about as you actually watch the movie. Thor: The Dark World moves at a pretty good clip and is filled with some great one-liners. It brings back all of the major players of the first film, from Anthony Hopkins and Renee Russo as Thor's parents Odin and Frigia to Stellan Skaarsgard and Kat Dennings as Portman's sorta scientific colleagues Dr. Erik Selvig and Darcy, all of whom put in exactly the type of performance one would except of these actors. In fact, the only major player from the first film not in this is Clark Gregg's Agent Coulson, and that's because he's on TV right now. Though I would love to see him and the Agents of SHIELD team pop up in one of these films.

And then there's Loki.

Tom Hiddleston's Loki was the high point of the first film and, in many ways, of The Avengers as well. Point in fact, he's the best villain in the Marvel Cinematic Universe and probably a top ten--maybe even top five--movie villain period. This time Hiddleston gets to put a little more depth to Loki, playing him as more of a shade of grey than previously. Throughout the movie, the audience is never fully sure who's side Loki is on, and it makes for fascinating viewing. It also helps that he gets many of the best lines, too. The scene where he disguises himself as Captain America is a riot. No one in the movie can match him--not Eccleston, not Hemsworth, not Portman, not even Hopkins. How often can you say that? Hiddleston completely walks away with the movie, leaving the audience wanting more.

It is a given that The Avengers is the best movie in the MCU. Hower, Thor: The Dark World, while not quite as good, is not far behind. I admit to being concerned that the Phase Two movies would be major letdowns after what came before them, but so far, I'm loving what I'm seeing. Iron Man 3 had only a couple of minor missteps while this particular film does everything right. I'm looking forward to Captain America: The Winter Soldier now. My only regret was not seeing this in 3D last night, but that was on the theater. I'll gladly see Thor: The Dark World a second time. It's a movie well worth seeing, especially on the big screen.